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The neighborhood bookstore for Phinney Ridge and Greenwood
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Well, January is supposed to be a quiet month in the store, but if you stopped by this weekend you might have thought, from the crowds, that it was mid-December. For that extra traffic, we have Paul Constant to thank, for his generous profile of the store in the Seattle Times, which appeared online on Tuesday and in the paper itself on Sunday (when we learned how many people still read the Sunday paper!). We were delighted to see so many new visitors to the store, from all over the Seattle area, and to get good wishes from so many regulars as well. And we were also delighted (and relieved) that a box of the book I recommended in the article, Tarjei Vesaas's The Ice Palace (which I reviewed here a year ago), arrived on the same day the article went online, so we had copies for almost everyone who asked. (We also note that suddenly there are 137 holds for the previously obscure Ice Palace at the King County Library!) We finally sold out, but another batch is on the way soon, along with more copies of the other two recommendations Paul included, Karen Gaudette Brewer's popular little guide, Northwest Know-How: Trees, and another former Phinney by Post pick, WIlliam Melvin Kelley's novel A Different Drummer.

Speaking of Phinney by Post, the biggest effect of Paul's article, thanks to all the attention he gave to our longtime subscription program, was that our number of Phinney by Post subscribers has doubled (!) in a week. We've seen many newcomers to our store sign up, but also many friends of the store who were finally convinced to take the plunge. We're glad to have you all on board, especially since finding great, and often forgotten, old books to share with our subscribers remains one of our favorite things about having this place.

(My only regret about the article, I should add, is that it made Phinney Books look like a bit of a one-person show. As anyone who visits us, or who reads to the bottom of this note, will know very well, it's anything but. Thanks to the excellent folk I get to work with behind the counter, as well as all of you on the other side who are the reason we're here.)

And then on Monday, we woke up to some more good news: Issaquah's own Donna Barba Higuera had won the Newbery Medal, perhaps the biggest prize in children's books, for her novel The Last Cuentista. As you may recall, Donna was one of the authors who stopped by the store in December to sign their latest books, and on Monday we still had a small stack of signed copies available. Those didn't last long, but we should have more copies (unsigned, at least for now) in a few weeks, along with the new Caldecott Medal winner, Watercress, by Andrea Wang and Jason Chin (which also achieved the rare feat for a picture book of being named a Newbery runner-up). Let us know if you'd like to reserve one of either when they come in.

 
Thanks—Tom, Laura, Kim, Liz, Haley, Anika, Doree, and Nancy
New Book of the Week
When We Cease to Understand the World
by Benjamin Labatut, translated by Adrian Nathan West
In the relative quiet at the end of the year I caught up with one of the most acclaimed books of 2021 (including by James at Madison Books when it came out in October). I suspected it would be right up my alley, and indeed it was. In chapters that read at first like essays and then increasingly like fiction, Labatut elegantly traces the lives and ideas of some of the 20th century's most prominent physicists and mathematicians. But those elegant tales lead again and again into horror, both in the personal lives of these obsessive thinkers, which span the most murderous decades of the century, and in the consequences of their ideas. Reading of their struggles to push the margins of our comprehension, you feel like you are standing at the edge of the abyss that faced one of his subjects, the German astrophysicist Karl Schwarzschild, who, while dying at the front in World War I, madly solved equations that led to an unthinkable conclusion: the existence of black holes. —Tom
A Pin to See the Peepshow
Old Book of the Week
A Pin to See the Peepshow
by F. Tennyson Jesse
There’s a literary True Crime wave cresting in 2022 and it is Meta: teeming with books of all types that dissect our long obsession with the genre. Centuries before Penny Dreadfuls were condemned for corrupting Victorian youth, Executioner’s Tales were providing grim titillation. In the modern era, True Crime began using the lenses of psychology and sociology to focus on the “why” of a crime. And by replacing moralizing with “science,” it became horribly easy to see oneself as the victim or—gulp—the accused. In this 1934 novel based on an infamous 1922 murder case, crack storytelling and rich historical detail reanimate accused murderer Julia Almond and the rigidly patriarchal middle-class milieu which incubated the deadly act. Her tale gains intensity as the scene shifts to the courts and those same prejudices pervert justice and compound the crime. Long out-of-print, this cult classic has just been reissued in the British Library Women Writers series and is recommended for those who can’t get enough period crime series from the BBC. —Liz
Act One
Old Book of the Week
Phinney by Post Book #85
Act One: An Autobiography
by Moss Hart
There's a reason that Act One, a massive bestseller when it came out in 1959, is still beloved by theater kids everywhere as the great Broadway memoir. Hart himself was as stage-struck as they come, and his story of how he rose, through lucky breaks and setbacks, from poverty in the Bronx to hit plays and major prizes, is charming, funny, and as brilliantly observed and constructed as any script he wrote. But you don't have to be a theater kid to love it: the book's final third especially, the story of his first Broadway production, is an edge-of-your-seat thriller that shows just how much sweat, anxiety, and ingenuity goes into putting on even the fizziest of farces. —Tom
The Little Wooden Robot and the Log Princess
Kids' Book of the Week
Phinney by Post Kids Book #73
The Little Wooden Robot and the Log Princess
by Tom Gauld
One of the best things a fairy tale can do is take a bizarre premise and make it seem natural, following wherever its strange rules lead. What would happen, for example, if a childless royal couple had two children made out of wood? In the hands of Gauld, who you may know from his Snooty Bookshop postcard set, the result is a tale told with all the lightness, heart, and adventure you could hope for in 32 pages. (Age 2 to 6) —Tom
Lucy Sante
Link of the Week
"On Becoming Lucy Sante"
I first learned about the change last fall, when the writer @luxante, who I follow on Instagram, and whose byline I followed in print for decades when it was Luc Sante, announced there that she was now Lucy Sante. Now in the new Vanity Fair, she explains, with the same sharp and subtle style that has always made her one of my favorite writers, the very individual path she's taken along a route she's traveling with many others. to the point where she is, "at 67 years of age, undertaking something enormous that should have been done decades ago."
Other Link of the Week
Ben McFall, 1948-2021
I also wanted to note, if you missed it over the holidays, the passing of a friend of Sante's, and of many other literary New Yorkers: Ben McFall, who presided for decades over what we at Phinney would call the "Made-up" section of Manhattan's legendary and labyrinthine Strand bookstore. His New York Times obituary cites one detail any bookseller—or any person—might aspire to: "Ben never had an official position.... Ben’s title was ‘Ben.’" I will also note one quote of his that had a particular resonance with me: to the amazement some showed at his recall of the amount and location of every book in his section, he replied, "It seems like a feat, but if it were your house, you’d know where things are, too." 
Cover Crop Quiz #228
In honor of the author's birthday yesterday, a 1938 first edition that is not her best-known book, but possibly the most literal of her covers (designed, like many of her books, by her sister).
Last Week's Answer
The answer to last week's answer is "vegetable," since I think that's a handful of beans on the cover of Barbara Kingsolver's Animal, Vegetable, Miracle.
New to Our 100 Club

Kafka on the Shore
by Haruki Murakami
(838 weeks to reach 100)



Phinney Books
7405 Greenwood Ave. N
Seattle, WA 98103
206.297.2665
www.phinneybooks.com
info@phinneybooks.com
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New in the Store


Fiction:
Devil House by John Darnielle
Violeta by Isabel Allende
Joan Is Okay by Weike Wang
Greenwich Park by Katherine Faulkner
Ulysses: An Illustrated Edition by James Joyce and Eduardo Arroyo


Nonfiction:
Manifesto: On Never Giving Up by Bernardine Evaristo
South to America: A Journey Below the Mason-Dixon to Understand the Soul of a Nation by Imani Perry
Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century by Dana Stevens
How to Be Perfect: The Correct Answer to Every Moral Question by Michael Schur
The Hard Sell: Crime and Punishment at an Opioid Startup by Evan Hughes
The Hag: The Life, Times, and Music of Merle Haggard by Marc Eliot
Free: A Child and a Country at the End of History by Lea Ypi


Kids and Teens:
Mermaid Dance by Matthew and Mara Van Fleet
All My Friends by Hope Larson
Sato the Rabbit, a Sea of Tea by Yuki Ainoya
Star Child: A Biographical Constellation of Octavia Estelle Butler by Ibi Zoboi


Paperback:
Let Me Tell You What I Mean by Joan Didion
Land by Simon Winchester
The Narrowboat Summer by Anne Youngson
Five Wounds by Kristin Valdez Quade
The Doctors Blackwell by Janice P. Nimura
This Week in Patricia Highsmith's Diaries and Notebooks


January 27, 1943
(age 22)
"I came home one night towards midnight, so drunk with alcohol and cigarette and sleepiness that I weaved from one side of the pavement to the other. Out of a Third Avenue bar came a boy and girl about sixteen. 'Take care of that cold!' the girl said with all the love, warmth, sacrificial, miraculous power of women throughout the ages! 'You take care of it for me!' said the boy. 'I will!' as they parted. I followed the girl to her home two blocks away, half trotting over the snow and slush to keep up with her. I almost spoke to her. I loved the sense of fiction in the scene. I should not have remembered very well if I had heard this in soberness. My sodden brain supplied the mood, the style, the atmosphere and the tones unplayed above and below, the multitudinous sketch lines which a writer might have put in before and after, some of which he would have left unsaid, like those I imagined I was seeing and experiencing."
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